Submissions to ABSTRACTION close in

EXHIBIT Closed on March 3rd 2011

Juror: Dave Jordano

Juror's Choice: Shooting Dirt by Jimmy Fike
of Phoenix, AZ, USA

We create spectacle of our personal environments as an extension of our selves, our souls. We are also compelled to photograph the object-evidence of these lives lived. Have you captured images of the human artifact? Images that show the spaces and things that outfit our personal or private lives? Vermont Photo Space Gallery wants to see these images. ....Images that illustrate the personality, pastime, position of an individual through their things? A trophy wall, taxidermy collection, corner shrine, garden retreat. A bottle collection, bowl of matchbooks, box of love letters. The messages we write on walls, carve in trees, mark on the door frame, post in the tree house...  From backyard junkyards, to attic hideouts and basement retreats, we mark our territories with the stuff, the evidence, of our lives. Whether you are documenting the neighbor’s chattels or the abandoned remains of a home left behind, we are looking for images that evidence human artifact.

Exhibit Calendar (Subject to Change)
Exhibit Opens:7 February 11
Artists' Reception:13 February 11 15:23
Exhibit Closes:3 March 11
Human Artifact
Exhibit Catalog now available at PrestoPhoto

The Darkroom Gallery Difference

The photographic documentation of personal object is as old as the medium itself and it has become a contemporary obsession for some.  Roger Ballen, Eugene Richards, William Eggleston, Takashi Homma and our Juror, Dave Jordano are among the ranks of photographers documenting human artifact.  The subject matter is a collision of cultural anthropology, pop culture, domesticity, documentary, realism and perhaps sentimentality.  By photographically documenting personal relic we prove the universality of the personal, we find connections and we share intimacies.

Juror's Statement

Being the juror for the Human Artifact exhibit has been a richly rewarding experience for me, and one that I didn’t take lightly, though admittedly with a slight bit of trepidation, this being my first curatorial duties as a judge. Judging the work of several individuals while trying to create a collective whole is the ultimate goal of an exhibit that speaks with a voice that deals with a particular set of parameters. Much of the work submitted for this competition was of a high caliber, thoughtfully executed, intelligent, and visually strong, making the selection process a difficult one and even that much harder. My hat goes off to everyone who submitted.

The first impression I make when looking at a photograph is deciding if it is visually appealing. If a picture has compositionally weak attributes, then no matter what the intent is, it won’t carry as strong a message or hold my attention as much as a picture made with an experienced, mature, finely crafted vision. Secondly, I search for the reason the picture was made and decipher what the photographer is trying to say through their particular visual language. Is there meaningful, sensitive thought behind what they are trying to communicate, and if so, were they successful? Thirdly, does the image have lasting appeal, something that I crave to return to again and again for inspiration and enjoyment? And last is technical execution. Did the artist use the right tools to interpret and create their work?

Human Artifact deals not so much with human beings as much as it deals with being human, and in doing so the images in this show may be absent of people, but they are not without the feeling of human presence, influence, and their undeniable existence. These images are quiet, contemplative observations about the movement of our lives and how our presence leaves lasting marks by what we do. While selecting work for the show I was surprised by the many different varied themes that were beginning to emerge, which included, but were not limited to, images about the environment, politics, geographical location, historical reference, social issues, family and relatives, domesticity, and culture. Each providing a showcase for the artist’s personal vision in relation to what they considered important to the documentation of the human artifact. In my estimation, the Juror’s Choice Award was selected because it resonated with more than a few of the themes mentioned.

Dave Jordano

 

 

 

 


Shooting Dirt
Juror's Choice

Jimmy Fike
Phoenix, AZ USA
Robert Frost's Kitchen
People's Choice

Gerry Davis
Williston, VT USA
Interior of a Serbian woman's home in Kosovo.

Alessandro Vecchi
Alba, Italy

Interior of a Roma woman's home in Kosovo.

Alessandro Vecchi
Alba, Italy
Blue Plastic Room, Winston-Salem, NC

Alison A. Smith
Winston-Salem, NC USA
Ruined Education (Once Upon a Time... A School)

Andre Cherri
Sao Paulo, Sao Paulo Brazil

Traces 1999 & 2010

Bára Kristinsdóttir
Kopavogur, Iceland
Traces 1999 & 2010 (1)

Bára Kristinsdóttir
Kopavogur, Iceland
Below the Surface

Bryan Ballinger
Huntington, in USA

Fort Caswell

Catherine A. Bell
New York, NY USA
Scout's Honor

Chad Davis
North Richland Hills, TX USA
Gum wall

Chad Davis
North Richland Hills, TX USA

January 1st

Chuck Hemard
Auburn, AL USA
Drill Ladies

Chuck Hemard
Auburn, AL USA
Charlie II.

corey hendrickson
waitsfield, VT USA

The Secretary Deluxe.

corey hendrickson
waitsfield, VT USA
towering books

Enrico Della Pietra
Naples, Italy
Aunt MIldred's Bedroom

Eric Rennie
Cromwell, CT USA

Initials

Erica Brown
Burlington, VT USA
kitchen life

Francesca Vergari
Monterotondo, Rome Italy
Control Plot

Garrett Hansen
Bloomington, IN USA

The accumulation of a day

Helen Jones
Portland, Oregon USA
Wallpaper Diary

Jayne M. Silberman
New York, NY USA
Stair Lot

Jimmy Fike
Phoenix, AZ USA

ABANDONED CROC

JOE CALLERI
NORTHCOTE, VICTORIA AUSTRALIA
DETAIL FROM AN ABANDONED VW COMBI VAN IN A NORTHCOTE FRONT YARD

JOE CALLERI
NORTHCOTE, VICTORIA AUSTRALIA
Untitled, 2008, from the series

Joe Lingeman
Syracuse, NY USA

Untitled, 2008, from the series

Joe Lingeman
Syracuse, NY USA
Paris morning

Kaarina Venalainen
Oakville, Ontario Canada
Still-life of Cupboard (Edition 1/10)

Katherine Walters
Mishawaka, IN USA

Books Of The Past

Kyan Parker
Massillon, Ohio USA
From Within, Unearthing a Past

Mercedes Dorame
Berkeley, CA USA
Broken Umbrella

Michelle Rivas
Beacon, NY USA

His and Hers

Natasha Sanchez
New Orleans, LA USA
Traces of the past - The home of my grandparents

Nicola Roberto
Bari, Italy
South Cushman, Fairbanks, Alaska

Patrick Cobb
Santa Fe, NM USA

Pushed Out

Penny Alderman
Tiverton, Devon UK
Mom (Still-Life Portrait)

Russ Rowland
NY, NY USA
Temple Apartments

Samantha VanDeman
Villa Park, IL USA

Class of 1989

Samantha VanDeman
Villa Park, IL USA
Untitled

Stephanie A. Lindsey
Denver, CO USA
Untitled (1)

Stephanie A. Lindsey
Denver, CO USA

Welcome to Spideyville

Theodore William Arnold
Champaign, IL USA
Beach Discovery

Tricia Buchhorn
San Antonio, Texas USA
Day-room #3

Wojtek Sasiela
Manchester, UK

Fuzhou, China, 2010

Yang Chen
Bloomington, IN USA

 


Juror: Dave Jordano

 

Dave Jordano received a BFA in Photography from the College of Creative Studies in 1974.   Since 1977 he has been working as a professional commercial Photographer from his studio in Chicago, Illinois.  It is his fine art imagery that will compel you to submit your work for jury into “Human Artifact.”  Jordano has been recording cultural and societal identities extensively through Fellowship and as Curator’s Choice (Houston Center for Photography), Critical Mass finalist, Wright State University sponsorship recipient, and Chicago Cultural Center exhibitor.  Twice published, his work is also found in private, corporate and museum collections, including in the Museum of Fine Arts Boston, Museum of Contemporary Photography in Chicago, and the Mary & Leigh Block Museum of Art in Evanston, Illinois.  Jordano continues an extensive investment into the documentary series “Prairieland”, focusing on rural Illinois.  We are proud to offer the inspiration from such work and Dave Jordano as your Juror for “Human Artifact.”

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