Artists' Reception scheduled for May 13th, 2017
Juror: David H. Wells
Torn by Gary Mitchell
Chiaroscuro [kee-ahr-uh-skyoo-roh] is defined as "the distribution of light and shadow in an image" or " the use of deep variations and subtle gradations of light and shade, especially to en-hance the delineation of character and for general dramatic purposes". To the photo-grapher the play of light and shadow is the very essence of the medium.
|Exhibit Calendar (Subject to Change)|
|Submissions Close:||22 March 17 23:59 EST|
|Selections Announced:||by 30 March 17|
|On-Line Check-in Due:||7 April 17|
|Work Receipt Deadline:||24 April 17|
|Exhibit Opens:||27 April 17|
|Artists' Reception:||13 May 17 16:00|
|Exhibit Closes:||21 May 17|
How to make a Submission
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For this exhibition, we're looking for photographs that graphically illustrate the interplay of shadow and light, darkness and illumination. How have you utilized the relationship between light and shadow to create drama, emotion and nuance in your photos? Chiaroscuro is your opportunity to show off your photographic vision of darkness and light.
Jurying the Chiaroscuro work was a fascinating experience. A couple things struck me immediately. While color photography seems to be everywhere these days, the vast majority of the work that was submitted was in black and white (or at least that is what struck me.) With the theme being Chiaroscuro, as in "the distribution of light and shadow in an image,” that tendency towards black and white was not a complete surprise.
Having said that, the word Chiaroscuro usually references classical paintings, which were usually done in color. I did notice that the best images in this set (both color as well as black and white) often referenced classical paintings in terms of having lots of chunks of black, great beams of light and wonderful distributions of tones. The best color images generally had fairly subdued colors which is something you often see in classical paintings with great Chiaroscuro. Since my own work features a fair amount of Chiaroscuro and is mostly in color these days, I am not completely surprised that the imagery I was drawn to had those traits.
While the imagery I was drawn to had plenty of Chiaroscuro, the best images had something more. I passed over plenty of images that had great play of light and shadow, but the winning images were the ones that used dramatic light and shadow in support of some larger message. The images I selected for the show and especially the "Juror's Choice" and the three "Honorable Mentions” exemplify that. Each image has a great story within it, a story that is made much stronger by the use of Chiaroscuro. When I am out photographing that is what I too am looking for! I congratulate the winners whose work had that ideal balance of form and content, as in having beautiful Chiaroscuro and a great story within each image.
David H. Wells
|Geometry of Shadows|
|Agra Train Station, Dawn|
|Signs of a Time|
|Light Through Venetian Blinds|
|by the sea|
|Silvester Day |
|seen from above number 5|
|Morning Light - Kelsey|
|Curves and Shadows|
|Woman with a Book|
|The Train is on its Way|
|Sunset at ESP|
|Cornish Fair Tractor|
|Tim Mei Avenue|
|The Machine of Secrets - Verse 4|
|Moonlit Moon Jar|
|Behind the Green Door|
|Solo In Blue|
|Man on the Train|
|The Farrier |
|Old Fashioned Nighclothes|
|Cathedral Basilica of St Augustine|
|Tuscan Woman, Pietrasanta 1978|
|Tack Room Resident|
|Not Yet Winter|
Juror: David H. Wells
David H. Wells is a visual storyteller whose photography and film making straddle the line between fine art and the documentary. His hybrid work is created on commercial assignment and through grant-funded projects Wells uses still, time-lapse, and moving images as well as audio to create award-winning narratives.He is affiliated with Aurora Photos, with past assignments for Life Magazine, National Geographic Magazine, the New York Times Magazine, and the Philadelphia Inquirer Magazine, to name a few. His work has been featured in solo exhibits at Brown University, U.C. Berkeley, and Harvard University. Wells has taught classes at the University of Pennsylvania and at the Maine Media Workshops. He is on the faculty of the International Center for Photography in NYC, He was featured in Photo District News as a "Best Workshop Instructor".
- All selected entries are exhibited in our gallery and included in a full color exhibit catalog;
- Juror's Choice receives a 30x48" vinyl exhibit banner featuring their image, free entry into a future exhibition, a free exhibition catalog;
- Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.
- People's Choice gains free entry into a future exhibit.
- We offer free matting and framing of accepted entries for the duration of each of our exhibition, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs.