Hue
Juror: Al Satterwhite
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Color in photography has symbolism and meaning that travels beyond what you see.
More than the combination of red, green, and blue or cyan, magenta, yellow, and black, color is a visual tool for non-verbal communication: a viewer's perception and connection to an image can be significantly enhanced by a certain hue.
Strip away the subject matter from a photograph, and what is left behind? Two things. The underlying geometry of the photo, its composition or balance, and the color. The design and geometry make an image coalesce, become solid, and enduring. Whereas the color carries the opposite message, one of transience and impermanence. That’s because colors are not inherent in objects, but change and evolve with the changing light – and we photographers know, light is always changing.
| Exhibit Calendar (Subject to Change) | |
| Exhibit Opens: | 22 May 14 |
| Artists' Reception: | 13 June 14 17:30 |
| Exhibit Closes: | 15 June 14 |
 HueExhibit Catalog now available at PrestoPhoto | |
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Juror's Statement: I was very impressed with the quality of work, and the wide range of vision of the many photographers; some very nice use of color and composition; bold use of color and particularly, some really nice close-up work with color in mind as one piece of the composition; some very simple and bold composition and also more complex use of color and design. very well done Al Satterwhite |
| Late Juror's Choice 
| Yellow and Green in Blue Honorable Mention 
| Parkway Diner Stool, Burlington, Vermont Honorable Mention 
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| Underworld rising Honorable Mention 
| Schizoid Bubble People's Choice 
| Flavors
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Hairdryer, Spruce Pine, NC 6-2013
| Fatigue, 5 cents, Salisbury, NC 5-2012
| Seized
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The Favored One
| Plume
| Passion Ivy
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Life Imitating Art
| Equality For All
| Schizophrenic Photogenic #7
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Palms
| Kelsey In The Window
| Working Iron
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Autunno 
| Sago
| Bird of Paradise
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A Dark Comedy No. 1
| Galvanized Refraction
| High Rollin'
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V8 Hot Rod
| Paradise
| Swallow Motorscooter
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Abandoned Beach
| Fluorescent
| Magenta Beauty 4
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English Room, West High School, Manchester NH
| Period barn
| All eyes
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Turnbuckle Blue
| Public Bathroom
| Apples
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chess
| Manikins
| Red Wall, White Lights
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Railing
| The Bowery
| Tacking Duel
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Stimsonite #2
| Well Pleasured Reads
| Glass Menagerie
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Alaire train
| Yellow
| Cyan
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Fluid Convergence - Red
| Arterial
| Augustine Cove
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Memories of Carnaval
| Color_Contrast
| Primary_Paints
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Crack
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- All selected entries are exhibited in our gallery and included in a full color exhibit catalog.
- Juror's Choice receives a 30x48" vinyl exhibit banner featuring their image, free entry into a future exhibition, and a free exhibition catalog.
- Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.
- People's Choice gains free entry into a future exhibit.
- We offer free matting and framing of accepted entries for the duration of each of our exhibition, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs.
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Juror: Al Satterwhite Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida's personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine (Automobile, Car & Driver, Fortune, Geo, Life, Look, Money, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few). In 1980 he moved to New York City to form his own production company and concentrate on advertising. For the next 15 years he did a wide range of national and international advertising work, becoming known for his saturated color images and keen sense of design and composition..... from action and aerial work, to miniatures in the studio, to major production campaigns in worldwide locations. Some of his advertising clients include American Express, Coca Cola, Dole, DuPont, Eastman Kodak, Johnson Outboards, Kent Int'l, Molson, Nikon, Oldsmobile, Porsche, Polaroid, R J Reynolds, Saab, Sony, Tuborg, Universal Studios and Westinghouse. He was a consultant to Kodak for digital imaging for a number of years. He has lectured at Boston University, Brooks Institute of Photography, Hallmark Institute of Photography, ASMP, NYU/Tisch School of the Arts, PhotoExpos in Los Angeles & New York. He has given workshops at Dawson College (Montreal), ICP (NYC), Kauai Photographic (Hawaii), the Maine Workshops, the Missouri Workshops, Palm Beach Photographic Workshops, Santa Fe Workshops & his own studio in New York City. He lectures and holds workshops at various facilities around the U.S. His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art Museum, Santa Barbara Museum of Art, Los Angeles County Museum of Art (LACMA), George Eastman House, Polaroid Collection, National Museum of African American History and Culture and numerous private collections. In recent years he has focused his attention on making films. He has shot commercials, features & award-winning feature shorts as Director/Cameraman. He is currently working on several book and museum projects.
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