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Juror: David H. Wells
Photographs that transport you to a unique time and location, that portray a land, its people, or a culture in its natural state, images that have no geographical limitations.
Travel the world and capture the many communities, landscapes and cityscapes that make up this planet. From barren deserts to icebergs floating in the sea the natural environs are numerous, then take into account the human societies continually evolving in these latitudes: from bustling metropolises to single room dwellings. And what of the anthropological side of things? How do the multitudes of communities forge their lives? What is the underlying current that makes each tick?
|Exhibit Calendar (Subject to Change)|
|Exhibit Opens:||6 November 14|
|Artists' Reception:||30 November 14 16:30|
|Exhibit Closes:||30 November 14|
|Far Away Places|
Exhibit Catalog now available at PrestoPhoto
For this exhibit we called for images that deftly define locations all their own. Far away can easily be a close by locale, but reinterpreted in a way to feel exotic. From the far corners of your backyard to the far away country it takes weeks to traverse to, we want to see where you end up when you go "far away".
I kept in mind the call for entries: "From the far corners of your backyard to the far away country it takes weeks to traverse to, we want to see where you end up when you go 'far away'." As I was selecting the winners, I enjoyed going around the world with the 114 photographers who submitted 632 images. Yet, some of the best work was not made in a far away, foreign land either, reminding us that the idea of far away is as much about a mental or emotional journey as it is a physical one. The best images were technically flawless and perfectly composed. They had one or more added elements, be it an especially dramatic time of day, an unusual angle, an experiment with time or with focus, for example. Some, but not all then had an element of post production that supported the narrative in the image, be that making the image B + W or pinhole or panorama, etc. These added elements ALWAYS supported the story in the photograph and never looked like they were thrown in to improve an otherwise mediocre image.
The Juror's Choice goes to "Ruins Jumieges, Normandy". This has all the elements I noted above. The light is magical, the composition dynamic, the birds flying through make it a moment, the choice of black and white adds to the drama and the square format keeps our attention within the image unlike a rectangular image, which tends to move the viewer through the image. The photographer who submitted it may have taken a look at my work in advance and seen how I use the play of light and shadow in much of my work. One reviewer wrote “Wells uses light like a surgeon.” That idea, previewing the juror’s work and adjusting the submission accordingly, can improve your chances.
It was a real thrill to go around the world in a weekend (which is how long it took me to pick the winners.) I never had to go through security, fight for a seat or argue with a surly customer service representative. Sure, going all those places would have been real blast, but seeing those places and those people enabled me to go “Far Away” from the comfort of my home.
David H. Wells
|Ruins Jumieges, Normandy|
|Cut-Throat Cuban Style|
|Old San Juan|
|Main Courtyard in Afternoon Sun, Machu Picchu, Peru|
|Wood for the Campfire|
|Does Anybody See a Picture?|
|Monastary- Puri, India|
|Ice Cream Vendor in Chandipur, India|
|Ethiopian Shepherd |
|WWII Memorial Window|
|Archer in Competition, Nikko, Japan, 2005|
|Far From The Ocean|
|Watching the Break|
|Il Duomo, Firenze, at the Heart of the Renaissance|
|A Winter Tree|
|Paradise in Ruins|
|The Face in the Sky, close by and far away, unveils a Secret|
|View from the Office|
|Circling the Arc de Triomphe|
|Moonrise over the Mare Nostrum|
|the Breakfast Guest|
|Two Trees, Etosha|
|Morning Has Broken, Bagan|
|Lamp, Window, Buttress. Santa Fe, NM, 2011.|
|The Daily Grind|
|Beggar, Athens, Greece|
|Behind the scenes|
|two wheels (Copenhagen)|
|At the Stream|
|Time, Ice, and the Warm Rain Falling|
|Low Tide #3|
- All selected entries are exhibited in our gallery and included in a full color exhibit catalog.
- Juror's Choice receives a 30x48" vinyl exhibit banner featuring their image, free entry into a future exhibition, and a free exhibition catalog.
- Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.
- People's Choice gains free entry into a future exhibit.
- We offer free matting and framing of accepted entries for the duration of each of our exhibition, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs.
Juror:David H. Wells
Past assignments have been for Life Magazine, National Geographic Publications, the New York Times Magazine and the Philadelphia Inquirer Sunday Magazine, to name a few. He has worked for numerous corporations including Consolidated Natural Gas and DuPont as well as numerous non-profit organizations including Brown University, the Ford Foundation and the New Israel Fund, among others.
His work has been featured in one-person exhibits at Brown University, U.C. Berkeley and Harvard University. His work has been part of group exhibitions at the Houston FotoFest and the Visa pour l'Image Festival in Perpignan. He has been an Artist in residence at the Visual Studies Workshop and the Light Works Photography Center.
He has taught classes at the University of Pennsylvania and workshops at the Maine Media Workshops. He is on the faculty of the International Center for Photography in NYC and is a Visiting Faculty at Pathshala, the South Asian Media Institute in Dhaka. He was featured in Photo District News as "Best Workshop Instructor."
His photo-essays have been funded by fellowships from Nikon/NPPA, the Pennsylvania Council on the Arts, the MacArthur Foundation's Program of Research and Writing on International Peace and Cooperation, the Alicia Patterson Foundation and the Fulbright Foundation. His project on the pesticide poisoning of California farm workers was nominated for a Pulitzer Prize by the Philadelphia Inquirer.
As an Olympus Visionary, Wells has been contracted by the camera company to produce images and provide feedback on new products. David was an invited photographer on "America 24/7," the largest professional photo book project ever undertaken. A frequent teacher of photography workshops, his blog, The Wells Point, appears at http://thewellspoint.com